How to Sculpt a Portrait

Learn how to sculpt a portrait as Davis Fandino renders Stan Winston in clay & bronze.

Description

Whether it’s a photograph, drawing, or painting, a portrait usually exists in two dimensions.  Some artists want to push beyond these boundaries.  For those looking to venture into that third dimension, the art of portrait sculpture is waiting for you.

Follow renowned artist and sculptor, Davis Fandino, as he guides you through the art of portrait sculpture, using the patron himself, Stan Winston, as his subject.  From starting with creating a basic armature to processing the final mold, every single step of the entire process is laid out in full detail.

Lesson Highlights:

  • Building and using the correct armature
  • Roughing in the primary forms
  • Using tools to progress into secondary forms
  • Using both heat guns and cooling spray
  • Creating and using a block mold

 

Approximate Runtime is: 04:28:48

View by Chapters

  1. Title & Introduction - 00:00:00
  2. Materials & Prepping the Workspace - 00:00:39
  3. Tools - 00:01:48
  4. Building the Armature - 00:05:26
  5. Roughing out the Sculpture - 00:09:27
  6. Facial Geometry - 00:23:42
  7. Roughing in the Features - 00:25:43
  8. Basic Structures - 00:35:58
  9. Eyes - Light & Shadow - 00:42:08
  10. Cheeks - Nailing the Expression - 00:46:04
  11. Eyelids & Eyes - 00:48:49
  12. Refining the Forms - 00:57:26
  13. Refinement of the Cranium Shape & Hair - 01:00:26
  14. Further Refinement of Secondary Forms - 01:08:06
  15. Detail Refinement - Eyes - 01:15:37
  16. Sculpt - Day 2: A Personality Emerges - 01:25:08
  17. Relying on Your Reference - 01:35:12
  18. Hands vs. Tools - 01:39:33
  19. Posing the Head - 01:43:06
  20. Roughing Out Clothing - 01:47:24
  21. The Benefits of Tool Marks - 01:56:37
  22. Eye Refinement - 01:59:16
  23. Sculpting Hair - 02:04:20
  24. Ear Refinement - 02:13:06
  25. Flame & Cold Air to Tighten Forms - 02:19:34
  26. Refining the Other Ear - 02:21:43
  27. Critiques in Accuracy - 02:30:07
  28. Recap Off-Camera Refinement & Prep for Detail - 02:31:09
  29. Unifying the Surface Detail - 02:32:30
  30. Hair - Fine Detailing - 02:36:16
  31. Eyes - Fine Detailing - 02:41:41
  32. Carving in the Pupil - 02:44:04
  33. The Mini Torch - 02:49:17
  34. Hair and Beard Further Detail Refinement - 02:50:37
  35. Deliberate Tool Markings Bring Focus to the Face - 02:58:01
  36. Wrinkles, Worry Lines & Facial Detail - 03:03:30
  37. Finishing - 03:08:51
  38. Last Words on Finessing the Sculpt - 03:10:57
  39. The Block Mold - 03:12:01
  40. Sealing - 03:13:11
  41. The Mold Wall Box & Base - 03:15:18
  42. Mixing Silicone - 03:23:43
  43. The Evacuator - 03:33:05
  44. Pouring Silicone - 03:35:36
  45. De-molding - 03:38:57
  46. Cleaning the Mold - 03:52:56
  47. Pouring the Polyurethane Resin - 03:55:09
  48. The Finished Mold - 04:06:42
  49. The Foundry - 04:10:36
  50. The Bronze Casting Process - 04:12:48

Materials

CLICK on any item to access our WORKSHOP SUPPLIES store

FOR YOUR WORK STATION

CLAYS/PLASTERS

CLEAR COATS/GLOSSES/MATTING AGENTS

LATEX/SILICONE

PAINT/BRISTLE BRUSHES

RESINS

SKIN PAINTS/POWDERS

SPONGES/POWDER PUFFS

THINNERS/SOLVENTS

TOOLS

SUPPLIES

HEALTH/SAFETY PRECAUTIONS

When working with toxic and/or dangerous materials or tools:

ALWAYS read labels for appropriate use guidelines
ALWAYS wear a high-grade respirator
ALWAYS work in a well-ventilated area
ALWAYS protect your skin
ALWAYS wear eye protection

Reference Materials

REFERENCE MATERIALS

  • Human Anatomy for Artists Book
  • Human Skull Replica

Artist Information

Photo_listing_portrait

Davis Fandino

Fine Art Sculptor and Key Sculptor for ADI, Davis Fandino passes easily between the worlds of blockbuster film and high art.

Davis discovered his calling as a sculptor as a teen while watching a biography of Michelangelo. Later,...

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