Behind The Scenes

Spider-Man Green Goblin Makeup Test by Amalgamated Dynamics, Inc.

Spider-man's Green Goblin makeup test by Amalgamated Dynamics. Never-before-seen images and video of the Spider-Man Green Goblin makeup test.

August 25, 2012
Spider-Man Green Goblin Makeup Test by Amalgamated Dynamics, Inc.

The Original Green Goblin Mask for Spider-Man (2002)

by Amalgamated Dynamics, Inc. co-founders Tom Woodruff, Jr. & Alec Gillis

THE GOBLIN QUANDARY

When we started Spiderman in 2002, no plan was in place for how the Green Goblin should look. There was some great art by production artist James Lima and creature designer Miles Teves that showed a direction toward the classic early comic book style, but director Sam Raimi was unconvinced.

Jump To Section

The Green Goblin Makeup Test - Design Considerations

Since we had started early enough before shooting was to begin, we were granted a little time and money to produce a prosthetic make-up version to consider.

One of the concept designs James Carson made for the Green Goblin.(One of the concept designs James Carson made for the Green Goblin.)

Another concept art design for the Green Goblin, created by Miles Teves.

Another concept art design for the Green Goblin, created by Miles Teves.(Another concept art design for the Green Goblin, created by Miles Teves.)

In capturing the comic book style, we knew the large goggle-like eyes were going to be a problem. Since they were opaque, there would be no life in them, and the thickness of the surrounding forehead would also eliminate expression, making for a rather dead-looking face. We decided to mechanically articulate the brows via low-relief radio-controlled servos that Dave Penikas would design and a separate puppeteer would operate. Sam didn’t think it was going to work, but there was only one way to tell.

Sculpting the Goblin

Alec and I art-directed Ryan Peterson to sculpt a very realistic-looking Goblin character, referencing early Spiderman art. Rather than mechanically reproduce the comic book version, Peterson took it several steps further to make it a very organic creature character. 

Ryan Kenneth Peterson sculpting a non Google eyed version of the Green Goblin at Studio ADI.(Ryan Kenneth Peterson sculpting a non Google eyed version of the Green Goblin at Studio ADI.)

The large eyes were still a challenge. To be safe and cover our bases, Peterson also sculpted a more streamlined version that would rely on the actor’s eyes showing and his brow movement reading through. If the animatronic version was a bust, we wanted to have something to show Raimi that would be a solution.

Progress images of the sculpting process for the Green Goblin.

Progress images of the sculpting process for the Green Goblin.(Progress images of the sculpting process for the Green Goblin.)

The Green Goblin Makeup Appliance

Ryan delivered as always, and once the sculpture was molded, we created vacuform eye shells, a foam latex test skin, and a killer set of acrylic teeth. Although the final appliance would be silicone, foam latex gave us something more easily handled to work out the mechanics and serve as a paint test. I would wear the prosthetic for the test to help evaluate what worked and what didn’t from the performer’s perspective.

Tom Woodruff Jr. wearing the vacuform eye shells and foam latex test skin.(Tom Woodruff Jr. wearing the vacuform eye shells and foam latex test skin.)

A fiberglass shell was the structure for the forehead and brows that was strapped to my forehead. The eye shells were able to clip in and come out to allow better vision in between shooting. Mike Larabee painted the final silicone appliances in a more pale yellow-green tone than our first test.

Another view of Tom Woodruff Jr. wearing the vacuform eye shells and foam latex test skin.(Another view of Tom Woodruff Jr. wearing the vacuform eye shells and foam latex test skin.)

The Makeup Test - A Huge Success, But…

Barry Koper applied the make-up for the test and Alec puppeteered the brows while Sam ran us through some action on film. Immediately afterward came his bittersweet evaluation: “Well, guys, you did it,” he told us.  “You convinced me.  Well done.”

A snapshot of the Green Goblin test makeup application at Studio ADI.(A snapshot of the Green Goblin test makeup application at Studio ADI.)

Tom Woodruff Jr. wearing the test version of the Green Goblin makeup.(Tom Woodruff Jr. wearing the test version of the Green Goblin makeup.)

Behind-the-scenes photos of the makeup test for the Goblin mask at Studio ADI.

Behind-the-scenes photos of the makeup test for the Goblin mask at Studio ADI.

Behind-the-scenes photos of the makeup test for the Goblin mask at Studio ADI.

Behind-the-scenes photos of the makeup test for the Goblin mask at Studio ADI.

Behind-the-scenes photos of the makeup test for the Goblin mask at Studio ADI.

Behind-the-scenes photos of the makeup test for the Goblin mask at Studio ADI.(Behind-the-scenes photos of the makeup test for the Goblin mask at Studio ADI.)

Raimi Kills the Goblin

Unfortunately Raimi went on to tell us that he didn’t think he could successfully get the audience to believe a Goblin mask would come to life like that when slipped on a person’s face.

That's why we’re glad to have our own YouTube channel, where we can show work like this that otherwise gets lost in the shuffle. Check things out and subscribe to see new material as it gets posted! Thanks to Matt and the SWSCA!

-Tom Woodruff, Jr. & Alec Gillis, co-founders of Amalgamated Dynamics, Inc.